6

We steamed up into New York Harbor late one afternoon in spring. The last efforts of the sun were being put forth in turning the waters of the bay to glistening gold; the green islands on either side, in spite of their warlike mountings, looked calm and peaceful; the buildings of the town shone out in a reflected light which gave the city an air of enchantment; and, truly, it is an enchanted spot. New York City is the most fatally fascinating thing in America. She sits like a great witch at the gate of the country, showing her alluring white face and hiding her crooked hands and feet under the folds of her wide garments—constantly enticing thousands from far within, and tempting those who come from across the seas to go no farther. And all these become the victims of her caprice. Some she at once crushes beneath her cruel feet; others she condemns to a fate like that of galley slaves; a few she favors and fondles, riding them high on the bubbles of fortune; then with a sudden breath she blows the bubbles out and laughs mockingly as she watches them fall.

We steamed into New York Harbor late one spring afternoon. The sun’s last rays turned the waters of the bay to glistening gold. The green islands on either side looked calm and peaceful, despite their military defenses. The city’s buildings shone in the reflected light, giving New York an enchanted look. And truly, it is an enchanted place. New York City is the most fatally fascinating thing in America. She sits like a great witch at the country’s gate. She shows her alluring white face while hiding her crooked hands and feet beneath her wide garments. She constantly draws thousands from deep within the country. She also tempts those who come from across the seas to go no farther. All become victims of her whims. She crushes some at once beneath her cruel feet. Others she condemns to a fate like that of galley slaves. She favors and fondles a few, carrying them high on bubbles of fortune. Then she suddenly blows the bubbles out and laughs mockingly as she watches them fall.

Twice I had passed through it, but this was really my first visit to New York; and as I walked about that evening, I began to feel the dread power of the city; the crowds, the lights, the excitement, the gaiety, and all its subtler stimulating influences began to take effect upon me. My blood ran quicker and I felt that I was just beginning to live. To some natures this stimulant of life in a great city becomes a thing as binding and necessary as opium is to one addicted to the habit. It becomes their breath of life; they cannot exist outside of it; rather than be deprived of it they are content to suffer hunger, want, pain, and misery; they would not exchange even a ragged and wretched condition among the great crowd for any degree of comfort away from it.

I had passed through New York twice before, but this was really my first visit. As I walked around that evening, I began to feel the city’s overwhelming power. The crowds, the lights, the excitement, the fun, and all its subtler stimulating influences began to affect me. My blood ran faster, and I felt that I was just beginning to live. For some people, the excitement of life in a great city becomes as compelling and necessary as opium is to an addict. It becomes the breath of life for them, and they cannot live without it. Rather than give it up, they are content to suffer hunger, deprivation, pain, and misery. They would not trade even a ragged and miserable life among the great crowd for any degree of comfort away from it.

As soon as we landed, four of us went directly to a lodging house in Twenty-seventh Street, just west of Sixth Avenue. The house was run by a short, stout mulatto man, who was exceedingly talkative and inquisitive. In fifteen minutes he not only knew the history of the past life of each one of us, but had a clearer idea of what we intended to do in the future than we ourselves. He sought this information so much with an air of being very particular as to whom he admitted into his house that we tremblingly answered every question that he asked. When we had become located, we went out and got supper, then walked around until about ten o'clock. At that hour we met a couple of young fellows who lived in New York and were known to one of the members of our party. It was suggested we go to a certain place which was known by the proprietor's name. We turned into one of the cross streets and mounted the stoop of a house in about the middle of a block between Sixth and Seventh Avenues. One of the young men whom we had met rang a bell, and a man on the inside cracked the door a couple of inches; then opened it and let us in. We found ourselves in the hallway of what had once been a residence. The front parlor had been converted into a bar, and a half-dozen or so well-dressed men were in the room. We went in and after a general introduction had several rounds of beer. In the back parlor a crowd was sitting and standing around the walls of the room watching an exciting and noisy game of pool. I walked back and joined this crowd to watch the game, and principally to get away from the drinking party. The game was really interesting, the players being quite expert, and the excitement was heightened by the bets which were being made on the result. At times the antics and remarks of both players and spectators were amusing. When, at a critical point, a player missed a shot, he was deluged, by those financially interested in his making it, with a flood of epithets synonymous with "chump"; While from the others he would be jeered by such remarks as "Nigger, dat cue ain't no hoe-handle." I noticed that among this class of colored men the word "nigger" was freely used in about the same sense as the word "fellow," and sometimes as a term of almost endearment; but I soon learned that its use was positively and absolutely prohibited to white men.

As soon as we landed, four of us went straight to a lodging house on Twenty-seventh Street, just west of Sixth Avenue. The house was run by a short, stout mulatto man who was extremely talkative and curious. Within fifteen minutes, he knew the past history of each of us. He also had a clearer idea of our future plans than we did ourselves. He asked his questions as if he were very particular about whom he let into his house. We answered every question nervously. Once we had settled in, we went out for supper and then walked around until about ten o'clock. At that hour, we met two young men who lived in New York. One member of our party knew them. Someone suggested that we go to a certain place known by its proprietor's name. We turned onto a cross street and climbed the stoop of a house. It stood about halfway down a block between Sixth and Seventh Avenues. One of the young men we had met rang the bell. A man inside opened the door a couple of inches, then opened it wider and let us in. We found ourselves in the hallway of what had once been a home. The front parlor had been turned into a bar. About half a dozen well-dressed men were in the room. We went in, and after everyone had been introduced, we had several rounds of beer. In the back parlor, a crowd sat and stood around the walls, watching an exciting, noisy game of pool. I went back and joined the crowd to watch the game, mainly to get away from the drinking party. The game was genuinely interesting. The players were quite skilled, and the bets on the outcome made it more exciting. At times, the antics and remarks of both players and spectators were amusing. When a player missed a shot at a critical point, those who had bet on him making it showered him with insults like "chump". Others jeered at him with remarks like "Nigger, that cue ain't no hoe-handle." I noticed that among this class of colored men, the word "nigger" was used freely, much like the word "fellow". Sometimes it was almost a term of endearment. But I soon learned that white men were absolutely forbidden to use it.

I stood watching this pool game until I was called by my friends, who were still in the bar-room, to go upstairs. On the second floor there were two large rooms. From the hall I looked into the one on the front. There was a large, round table in the center, at which five or six men were seated playing poker. The air and conduct here were greatly in contrast to what I had just seen in the pool-room; these men were evidently the aristocrats of the place; they were well, perhaps a bit flashily, dressed and spoke in low modulated voices, frequently using the word "gentlemen"; in fact, they seemed to be practicing a sort of Chesterfieldian politeness towards each other. I was watching these men with a great deal of interest and some degree of admiration when I was again called by the members of our party, and I followed them on to the back room. There was a door-keeper at this room, and we were admitted only after inspection. When we got inside, I saw a crowd of men of all ages and kinds grouped about an old billiard table, regarding some of whom, in supposing them to be white, I made no mistake. At first I did not know what these men were doing; they were using terms that were strange to me. I could hear only a confusion of voices exclaiming: "Shoot the two!" "Shoot the four!" "Fate me! Fate me!" "I've got you fated!" "Twenty-five cents he don't turn!" This was the ancient and terribly fascinating game of dice, popularly known as "craps." I myself had played pool in Jacksonville—it is a favorite game among cigar makers—and I had seen others play cards; but here was something new. I edged my way in to the table and stood between one of my new-found New York friends and a tall, slender, black fellow, who was making side bets while the dice were at the other end of the table. My companion explained to me the principles of the game; and they are so simple that they hardly need to be explained twice. The dice came around the table until they reached the man on the other side of the tall, black fellow. He lost, and the latter said: "Gimme the bones." He threw a dollar on the table and said: "Shoot the dollar." His style of play was so strenuous that he had to be allowed plenty of room. He shook the dice high above his head, and each time he threw them on the table, he emitted a grunt such as men give when they are putting forth physical exertion with a rhythmic regularity. He frequently whirled completely around on his heels, throwing the dice the entire length of the table, and talking to them as though they were trained animals. He appealed to them in short singsong phrases. "Come, dice," he would say. "Little Phoebe," "Little Joe," "'Way down yonder in the cornfield." Whether these mystic incantations were efficacious or not I could not say, but, at any rate, his luck was great, and he had what gamblers term "nerve." "Shoot the dollar!" "Shoot the two!" "Shoot the four!" "Shoot the eight!" came from his lips as quickly as the dice turned to his advantage. My companion asked me if I had ever played. I told him no. He said that I ought to try my luck: that everybody won at first. The tall man at my side was waving his arms in the air, exclaiming: "Shoot the sixteen!" "Shoot the sixteen!" "Fate me!" Whether it was my companion's suggestion or some latent dare-devil strain in my blood which suddenly sprang into activity I do not know; but with a thrill of excitement which went through my whole body I threw a twenty-dollar bill on the table and said in a trembling voice: "I fate you."

I stood watching the pool game until my friends, who were still in the barroom, called me to go upstairs. On the second floor were two large rooms. From the hall, I looked into the front room. Five or six men sat playing poker at a large, round table in the center. The atmosphere and behavior here were very different from what I had just seen in the poolroom. These men were clearly the aristocrats of the place. They were well dressed, perhaps a little flashily, and spoke in quiet, measured voices. They often used the word "gentlemen." In fact, they seemed to be practicing a sort of Chesterfieldian politeness toward one another. I watched them with great interest and some admiration until the others in our party called me again. I followed them to the back room. A doorkeeper stood outside, and we were admitted only after he inspected us. Inside, I saw a crowd of men of all ages and kinds gathered around an old billiard table. I assumed some of them were white, and I was right. At first I did not know what the men were doing. They were using terms that were new to me. All I could hear was a confusion of voices shouting: "Shoot the two!" "Shoot the four!" "Fate me! Fate me!" "I've got you fated!" "Twenty-five cents he don't turn!" This was the ancient and terribly fascinating game of dice, popularly known as "craps." I had played pool in Jacksonville, where it is a favorite game among cigar makers. I had also seen others play cards, but this was something new. I edged my way to the table. I stood between one of my new New York friends and a tall, slender, black fellow. The black fellow was making side bets while the dice were at the other end of the table. My companion explained the principles of the game to me. They are so simple that they hardly need explaining twice. The dice went around the table until they reached the man on the other side of the tall, black fellow. The man lost, and the tall fellow said: "Give me the bones." He threw a dollar on the table and said: "Shoot the dollar." He played so energetically that he needed plenty of room. He shook the dice high above his head. Each time he threw them on the table, he grunted like a man making a steady, rhythmic physical effort. He often spun completely around on his heels and threw the dice the full length of the table. He talked to the dice as if they were trained animals, urging them on in short, singsong phrases. "Come, dice," he would say. "Little Phoebe," "Little Joe," "Way down yonder in the cornfield." I could not say whether these mysterious chants worked. At any rate, his luck was great, and he had what gamblers call "nerve." "Shoot the dollar!" "Shoot the two!" "Shoot the four!" "Shoot the eight!" The words came from his lips as quickly as the dice turned in his favor. My companion asked if I had ever played. I told him no. He said I ought to try my luck because everybody won at first. The tall man beside me was waving his arms in the air, shouting: "Shoot the sixteen!" "Shoot the sixteen!" "Fate me!" I do not know whether it was my companion's suggestion or some hidden daring in my blood that suddenly came to life. But a thrill of excitement went through my whole body. I threw a twenty-dollar bill on the table and said in a trembling voice: "I fate you."

I could feel that I had gained the attention and respect of everybody in the room, every eye was fixed on me, and the widespread question, "Who is he?" went around. This was gratifying to a certain sense of vanity of which I have never been able to rid myself, and I felt that it was worth the money even if I lost. The tall man, with a whirl on his heels and a double grunt, threw the dice; four was the number which turned up. This is considered as a hard "point" to make. He redoubled his contortions and his grunts and his pleadings to the dice; but on his third or fourth throw the fateful seven turned up, and I had won. My companion and all my friends shouted to me to follow up my luck. The fever was on me. I seized the dice. My hands were so hot that the bits of bone felt like pieces of ice. I shouted as loudly as I could: "Shoot it all!" but the blood was tingling so about my ears that I could not hear my own voice. I was soon "fated." I threw the dice—sevens—I had won. "Shoot it all!" I cried again. There was a pause; the stake was more than one man cared to or could cover. I was finally "fated" by several men taking each a part of it. I then threw the dice again. Seven. I had won. "Shoot it all!" I shouted excitedly. After a short delay I was "fated." Again I rolled the dice. Eleven. Again I won. My friends now surrounded me and, much against my inclination, forced me to take down all of the money except five dollars. I tried my luck once more, and threw some small "point" which failed to make, and the dice passed on to the next man.

I could feel that I had gained the attention and respect of everyone in the room. Every eye was fixed on me, and people kept asking, "Who is he?" This pleased a sense of vanity I have never been able to shake. I felt that it was worth the money, even if I lost. The tall man spun on his heels, grunted twice, and threw the dice. He rolled a four, which is considered a hard "point" to make. He twisted and grunted even more and pleaded with the dice. But on his third or fourth throw, the fateful seven came up, and I had won. My companion and all my friends shouted for me to keep going while my luck held. The fever was on me. I seized the dice. My hands were so hot that the bits of bone felt like pieces of ice. I shouted as loudly as I could: "Shoot it all!" But the blood was tingling so around my ears that I could not hear my own voice. Soon someone matched my bet. I threw the dice and rolled a seven. I had won. "Shoot it all!" I cried again. There was a pause. The stake was more than one man wanted to or could match. Finally, several men each took a part of the bet. I threw the dice again. Seven. I had won. "Shoot it all!" I shouted excitedly. After a short delay, my bet was matched. Again I rolled the dice. Eleven. Again I won. My friends now surrounded me and forced me, much against my wishes, to take back all the money except five dollars. I tried my luck once more and threw some low "point" that I failed to make. The dice passed to the next man.

In less than three minutes I had won more than two hundred dollars, a sum which afterwards cost me dearly. I was the hero of the moment and was soon surrounded by a group of men who expressed admiration for my "nerve" and predicted for me a brilliant future as a gambler. Although at the time I had no thought of becoming a gambler, I felt proud of my success. I felt a bit ashamed, too, that I had allowed my friends to persuade me to take down my money so soon. Another set of men also got around me and begged me for twenty-five or fifty cents to put them back into the game. I gave each of them something. I saw that several of them had on linen dusters, and as I looked about, I noticed that there were perhaps a dozen men in the room similarly clad. I asked the fellow who had been my prompter at the dice table why they dressed in such a manner. He told me that men who had lost all the money and jewelry they possessed, frequently, in an effort to recoup their losses, would gamble away all their outer clothing and even their shoes; and that the proprietor kept on hand a supply of linen dusters for all who were so unfortunate. My informant went on to say that sometimes a fellow would become almost completely dressed and then, by a turn of the dice, would be thrown back into a state of semi-nakedness. Some of them were virtually prisoners and unable to get into the streets for days at a time. They ate at the lunch counter, where their credit was good so long as they were fair gamblers and did not attempt to jump their debts, and they slept around in chairs. They importuned friends and winners to put them back in the game, and kept at it until fortune again smiled on them. I laughed heartily at this, not thinking the day was coming which would find me in the same ludicrous predicament.

In less than three minutes, I had won more than two hundred dollars, a sum that later cost me dearly. I was the hero of the moment. Soon, a group of men surrounded me, admiring my "nerve" and predicting a brilliant future for me as a gambler. Although I had no thought of becoming a gambler, I felt proud of my success. I also felt a little ashamed that I had let my friends persuade me to take my money off the table so soon. Another group of men gathered around me and begged for twenty-five or fifty cents to get back into the game. I gave each of them something. Several were wearing linen dusters, and I noticed perhaps a dozen men in the room dressed the same way. I asked the fellow who had advised me at the dice table why they were dressed like that. He told me they had lost all their money and jewelry. Then, trying to win back their losses, they often gambled away all their outer clothing and even their shoes. The owner kept a supply of linen dusters on hand for anyone so unfortunate. My informant went on to say that sometimes a fellow would win back almost all his clothes. Then one roll of the dice would leave him half-naked again. Some were practically prisoners, unable to go out into the streets for days at a time. They ate at the lunch counter, where they could get credit as long as they gambled honestly and did not try to escape their debts. They slept in chairs around the room. They begged friends and winners to get them back into the game, and kept trying until fortune smiled on them again. I laughed heartily at all this, never thinking that one day I would find myself in the same ridiculous situation.

On passing downstairs I was told that the third and top floor of the house was occupied by the proprietor. When we passed through the bar, I treated everybody in the room—and that was no small number, for eight or ten had followed us down. Then our party went out. It was now about half past twelve, but my nerves were at such a tension that I could not endure the mere thought of going to bed. I asked if there was no other place to which we could go; our guides said yes, and suggested that we go to the "Club." We went to Sixth Avenue, walked two blocks, and turned to the west into another street. We stopped in front of a house with three stories and a basement. In the basement was a Chinese chop-suey restaurant. There was a red lantern at the iron gate to the area way, inside of which the Chinaman's name was printed. We went up the steps of the stoop, rang the bell, and were admitted without any delay. From the outside the house bore a rather gloomy aspect, the windows being absolutely dark, but within, it was a veritable house of mirth. When we had passed through a small vestibule and reached the hallway, we heard mingled sounds of music and laughter, the clink of glasses, and the pop of bottles. We went into the main room and I was little prepared for what I saw. The brilliancy of the place, the display of diamond rings, scarf-pins, ear-rings, and breast-pins, the big rolls of money that were brought into evidence when drinks were paid for, and the air of gaiety that pervaded the place, all completely dazzled and dazed me. I felt positively giddy, and it was several minutes before I was able to make any clear and definite observations.

As I went downstairs, I was told that the proprietor lived on the third and top floor. When we passed through the bar, I bought everyone in the room a drink. There were quite a few people, since eight or ten had followed us downstairs. Then our party went out. It was now about half past twelve, but my nerves were so tense that I could not bear the thought of bed. I asked if there was another place we could go. Our guides said yes and suggested the "Club." We went to Sixth Avenue, walked two blocks, and turned west onto another street. We stopped in front of a three-story house with a basement. A Chinese chop-suey restaurant occupied the basement. A red lantern hung at the iron gate to the basement entrance. The Chinaman's name was printed inside the lantern. We climbed the front steps, rang the bell, and were let in at once. From outside, the house looked rather gloomy, with its windows completely dark. But inside, it was a place of real merriment. We passed through a small entryway and reached the hall. There we heard music and laughter mixed with the clink of glasses and the pop of bottles. We entered the main room, and I was hardly prepared for what I saw. The brilliance of the place completely dazzled and dazed me. So did the diamond rings, scarf-pins, earrings, and brooches on display. People brought out big rolls of money to pay for drinks, and a cheerful spirit filled the place. I felt positively giddy. It was several minutes before I could observe anything clearly.

We at length secured places at a table in a corner of the room and, as soon as we could attract the attention of one of the busy waiters, ordered a round of drinks. When I had somewhat collected my senses, I realized that in a large back room into which the main room opened, there was a young fellow singing a song, accompanied on the piano by a short, thickset, dark man. After each verse he did some dance steps, which brought forth great applause and a shower of small coins at his feet. After the singer had responded to a rousing encore, the stout man at the piano began to run his fingers up and down the keyboard. This he did in a manner which indicated that he was master of a good deal of technique. Then he began to play; and such playing! I stopped talking to listen. It was music of a kind I had never heard before. It was music that demanded physical response, patting of the feet, drumming of the fingers, or nodding of the head in time with the beat. The barbaric harmonies, the audacious resolutions, often consisting of an abrupt jump from one key to another, the intricate rhythms in which the accents fell in the most unexpected places, but in which the beat was never lost, produced a most curious effect. And, too, the player—the dexterity of his left hand in making rapid octave runs and jumps was little short of marvelous; and with his right hand he frequently swept half the keyboard with clean-cut chromatics which he fitted in so nicely as never to fail to arouse in his listeners a sort of pleasant surprise at the accomplishment of the feat.

At last, we found seats at a table in a corner of the room. As soon as we caught the attention of one of the busy waiters, we ordered a round of drinks. Once I had gathered my senses, I noticed a young fellow singing in a large back room off the main room. A short, thickset, dark man accompanied him on the piano. After each verse, the singer did some dance steps. These brought loud applause and a shower of small coins at his feet. After the singer returned for an enthusiastic encore, the stout man ran his fingers up and down the piano keys. He showed that he had considerable technical skill. Then he began to play, and what playing it was! I stopped talking to listen. It was music unlike any I had heard before. It demanded a physical response: tapping your feet, drumming your fingers, or nodding your head to the beat. The barbaric harmonies and daring resolutions created a most curious effect. Often, the music jumped abruptly from one key to another. The rhythms were intricate, with accents in the most unexpected places, yet the beat was never lost. And then there was the player himself. His left hand moved through rapid octave runs and jumps with almost marvelous skill. With his right hand, he often swept across half the keyboard in crisp chromatic runs. He worked them in so neatly that his listeners were always pleasantly surprised by the feat.

This was ragtime music, then a novelty in New York, and just growing to be a rage, which has not yet subsided. It was originated in the questionable resorts about Memphis and St. Louis by Negro piano players who knew no more of the theory of music than they did of the theory of the universe, but were guided by natural musical instinct and talent. It made its way to Chicago, where it was popular some time before it reached New York. These players often improvised crude and, at times, vulgar words to fit the melodies. This was the beginning of the ragtime song. Several of these improvisations were taken down by white men, the words slightly altered, and published under the names of the arrangers. They sprang into immediate popularity and earned small fortunes, of which the Negro originators got only a few dollars. But I have learned that since that time a number of colored men, of not only musical talent, but training, are writing out their own melodies and words and reaping the reward of their work. I have learned also that they have a large number of white imitators and adulterators.

This was ragtime music. It was still new in New York and had just begun to become a craze that has not yet died down. Negro piano players first created it in shady establishments around Memphis and St. Louis. They knew no more about music theory than they did about the theory of the universe. But they were guided by natural musical instinct and talent. Ragtime made its way to Chicago, where it was popular for some time before reaching New York. The players often made up crude and sometimes vulgar words to fit the melodies. This was the beginning of the ragtime song. White men wrote down several of these improvised songs, changed the words slightly, and published them under their own names as arrangers. The songs became popular immediately and earned small fortunes, but the Negro creators received only a few dollars. Since then, however, I have learned that a number of colored men with musical talent and training are writing down their own melodies and words. They are also earning the rewards of their work. I have learned, too, that they have many white imitators who dilute their work.

American musicians, instead of investigating ragtime, attempt to ignore it, or dismiss it with a contemptuous word. But that has always been the course of scholasticism in every branch of art. Whatever new thing the people like is pooh-poohed; whatever is popular is spoken of as not worth the while. The fact is, nothing great or enduring, especially in music, has ever sprung full-fledged and unprecedented from the brain of any master; the best that he gives to the world he gathers from the hearts of the people, and runs it through the alembic of his genius. In spite of the bans which musicians and music teachers have placed upon it, the people still demand and enjoy ragtime. One thing cannot be denied; it is music which possesses at least one strong element of greatness: it appeals universally; not only the American, but the English, the French, and even the German people find delight in it. In fact, there is not a corner of the civilized world in which it is not known, and this proves its originality; for if it were an imitation, the people of Europe, anyhow, would not have found it a novelty. Anyone who doubts that there is a peculiar heel-tickling, smile-provoking, joy-awakening charm in ragtime needs only to hear a skillful performer play the genuine article to be convinced. I believe that it has its place as well as the music which draws from us sighs and tears.

American musicians, instead of exploring ragtime, try to ignore it or dismiss it with contempt. But academic traditionalists have always done this in every branch of art. They make fun of anything new that people like. They dismiss anything popular as not worth their time. The truth is that nothing great or lasting, especially in music, has ever emerged fully formed and entirely new from a master’s mind. The best a master gives the world comes from the hearts of the people, transformed by his genius. Despite the bans musicians and music teachers have placed on ragtime, people still demand and enjoy it. One thing cannot be denied: ragtime has at least one strong element of greatness. It appeals to people everywhere. Not only Americans but also the English, the French, and even the German people enjoy it. In fact, there is no corner of the civilized world where ragtime is unknown. This proves its originality. If it were an imitation, people in Europe, at least, would not have found it new. Anyone who doubts ragtime’s special power to make feet tap, smiles appear, and joy awaken need only hear a skilled performer play the real thing. I believe ragtime has its place, just as music that draws sighs and tears from us does.

I became so interested in both the music and the player that I left the table where I was sitting, and made my way through the hall into the back room, where I could see as well as hear. I talked to the piano-player between the musical numbers and found out that he was just a natural musician, never having taken a lesson in his life. Not only could he play almost anything he heard, but he could accompany singers in songs he had never heard. He had, by ear alone, composed some pieces, several of which he played over for me; each of them was properly proportioned and balanced. I began to wonder what this man with such a lavish natural endowment would have done had he been trained. Perhaps he wouldn't have done anything at all; he might have become, at best, a mediocre imitator of the great masters in what they have already done to a finish, or one of the modern innovators who strive after originality by seeing how cleverly they can dodge about through the rules of harmony and at the same time avoid melody. It is certain that he would not have been so delightful as he was in ragtime.

I became so interested in both the music and the player that I left my table. I made my way through the hall to the back room, where I could see as well as hear him. I talked to the piano player between numbers and learned that he was a natural musician. He had never taken a lesson in his life. He could play almost anything he heard, and he could accompany singers in songs he had never heard before. He had composed some pieces entirely by ear and played several of them for me. Each piece was well proportioned and balanced. I began to wonder what this man, with so much natural talent, would have done if he had been trained. Perhaps he would not have done anything at all. At best, he might have become a mediocre imitator of the great masters, copying work they had already perfected. Or he might have become one of the modern innovators who strive for originality. They try to show how cleverly they can dodge the rules of harmony while avoiding melody. One thing is certain: he would not have been as delightful as he was playing ragtime.

I sat by, watching and listening to this man until I was dragged away by my friends. The place was now almost deserted; only a few stragglers hung on, and they were all the, worse for drink. My friends were well up in this class. We passed into the street; the lamps were pale against the sky; day was just breaking. We went home and got into bed. I fell into a fitful sort of sleep, with ragtime music ringing continually in my ears.

I sat watching and listening to this man until my friends dragged me away. The place was almost empty now. Only a few people lingered, and they were all drunk. My friends were quite drunk too. We went out into the street. The lamps looked pale against the sky as day began to break. We went home and got into bed. I slept fitfully, with ragtime music ringing in my ears the whole time.