Part 2, Chapter 7

Not long after my conversation with Wauna, mentioned in the previous chapter, an event happened in Mizora of so singular and unexpected a character for that country that it requires a particular description. I refer to the death of a young girl, the daughter of the Professor of Natural History in the National College, whose impressive inaugural ceremonies I had witnessed with so much gratification. The girl was of a venturesome disposition, and, with a number of others, had gone out rowing. The boats they used in Mizora for that purpose were mere cockle shells. A sudden squall arose from which all could have escaped, but the reckless daring of this young girl cost her her life. Her boat was capsized, and despite the exertions made by her companions, she was drowned.

Not long after my conversation with Wauna, mentioned in the previous chapter, an event occurred in Mizora. It was so unusual and unexpected in that country that it deserves a detailed account. A young girl died. She was the daughter of the Professor of Natural History at the National College. I had witnessed the college's impressive inaugural ceremonies with great pleasure. The girl was adventurous and had gone rowing with several others. The boats used for rowing in Mizora were mere shells. A sudden squall arose, and all of them could have escaped it. But the young girl's reckless daring cost her life. Her boat capsized, and despite her companions' efforts, she drowned.

Her body was recovered before the news was conveyed to the mother. As the young companions surrounded it in the abandon of grief that tender and artless youth alone feels, had I not known that not a tie of consanguinity existed between them, I might have thought them a band of sisters mourning their broken number. It was a scene I never expect and sincerely hope never to witness again. It made the deeper impression upon me because I knew the expressions of grief were all genuine.

Her body was recovered before her mother was told the news. Her young companions gathered around it, overcome with the kind of grief only tender, innocent youth can feel. If I had not known they were unrelated, I might have thought they were sisters mourning the loss of one of their own. It was a scene I never expect to see again and sincerely hope I never do. It affected me all the more deeply because I knew their grief was entirely genuine.

I asked Wauna if any of the dead girl's companions feared that her mother might censure them for not making sufficient effort to save her when her boat capsized. She looked at me with astonishment.

I asked Wauna if any of the dead girl's companions feared her mother might blame them. They had not done enough to save her when her boat overturned. Wauna looked at me in astonishment.

"Such a thought," she said, "will never occur to her nor to any one else in Mizora. I have not asked the particulars, but I know that everything was done that could have been done to save her. There must have been something extraordinarily unusual about the affair for all Mizora girls are expert swimmers, and there is not one but would put forth any exertion to save a companion."

"That thought," she said, "will never occur to her or anyone else in Mizora. I haven't asked for the details, but I know everything possible was done to save her. Something highly unusual must have happened. All Mizora girls are expert swimmers, and every one of them would do everything she could to save a companion."

I afterward learned that such had really been the case.

I later learned that this was indeed the case.

It developed upon the Preceptress to break the news to the afflicted mother. It was done in the seclusion of her own home. There was no manifestation of morbid curiosity among acquaintances, neighbors and friends. The Preceptress and one or two others of her nearest and most intimate friends called at the house during the first shock of her bereavement.

It fell to the Preceptress to break the news to the grieving mother. She did so in the privacy of the mother’s home. Acquaintances, neighbors, and friends showed no morbid curiosity. The Preceptress and one or two of the mother’s closest friends visited her during the first shock of her loss.

After permission had been given to view the remains, Wauna and I called at the house, but only entered the drawing-room. On a low cot, in an attitude of peaceful repose, lay the breathless sleeper. Her mother and sisters had performed for her the last sad offices of loving duty, and lovely indeed had they made the last view we should have of their dear one.

After we received permission to see her remains, Wauna and I visited the house, but went only into the drawing room. On a low cot lay the lifeless woman, as if sleeping peacefully. Her mother and sisters had lovingly performed their last sad duties for her. They had made her look beautiful for our last view of their dear one.

There was to be no ceremony at the house, and Wauna and I were in the cemetery when the procession entered. As we passed through the city, I noticed that every business house was closed. The whole city was sympathizing with sorrow. I never before saw so vast a concourse of people. The procession was very long and headed by the mother, dressed and veiled in black. Behind her were the sisters carrying the body. It rested upon a litter composed entirely of white rosebuds. The sisters wore white, their faces concealed by white veils. Each wore a white rosebud pinned upon her bosom. They were followed by a long procession of young girls, schoolmates and friends of the dead. They were all dressed in white, but were not veiled. Each one carried a white rosebud.

There was to be no ceremony at the house, and Wauna and I were at the cemetery when the procession arrived. As we passed through the city, I noticed that every business was closed. The whole city shared in the sorrow. I had never seen such a vast crowd before. The procession was very long. The mother led it, dressed in black with a black veil. Behind her, the sisters carried the body on a stretcher made entirely of white rosebuds. The sisters wore white, and white veils covered their faces. Each had a white rosebud pinned to her chest. A long procession of young girls followed them. They were schoolmates and friends of the dead girl. They were all dressed in white, but wore no veils. Each carried a white rosebud.

The sisters placed the litter upon rests at the side of the grave, and clasping hands with their mother, formed a semicircle about it. They were all so closely veiled that their features could not be seen, and no emotion was visible. The procession of young girls formed a circle inclosing the grave and the mourners, and began chanting a slow and sorrowful dirge. No words can paint the pathos and beauty of such a scene. My eye took in every detail that displayed that taste for the beautiful that compels the Mizora mind to mingle it with every incident of life. The melody sounded like a chorus of birds chanting, in perfect unison, a weird requiem over some dead companion.

The sisters placed the litter on supports beside the grave. They joined hands with their mother and formed a semicircle around it. They were all so heavily veiled that their faces could not be seen, and no emotion was visible. The procession of young girls formed a circle around the grave and the mourners. They began to sing a slow, sorrowful funeral song. No words can capture the sadness and beauty of such a scene. I noticed every detail that showed the Mizora taste for beauty, which compels them to bring beauty into every part of life. The melody sounded like a chorus of birds singing a strange requiem in perfect unison for a dead companion.

At the close of the chant, the mother first and then each sister took from her bosom the white rosebud and dropped it into the grave. Then followed her schoolmates and companions who each dropped in the bud she carried. A carpet of white rosebuds was thus formed, on which the body, still reclining upon its pillow of flowers, was gently lowered.

When the chant ended, the mother took the white rosebud from her bosom and dropped it into the grave. Each sister did the same. Then her schoolmates and companions each dropped in the bud they carried. The white rosebuds formed a carpet. The body, still resting on its pillow of flowers, was gently lowered onto it.

The body was dressed in white, and over all fell a veil of fine white tulle. A more beautiful sight I can never see than that young, lovely girl in her last sleep with the emblems of youth, purity and swift decay forming her pillow, and winding-sheet. Over this was placed a film of glass that rested upon the bottom and sides of the thin lining that covered the bottom and lower sides of the grave. The remainder of the procession of young girls then came forward and dropped their rosebuds upon it, completely hiding from view the young and beautiful dead.

The body was dressed in white and covered with a veil of fine white tulle. I will never see a more beautiful sight than that lovely young girl in her final sleep. The emblems of youth, purity, and swift decay formed her pillow and burial shroud. A thin sheet of glass was placed over her. It rested on the bottom and sides of the thin lining that covered the bottom and lower sides of the grave. The remaining young girls in the procession came forward and dropped their rosebuds on the glass. The rosebuds completely hid the beautiful young woman from view.

The eldest sister then took a handful of dust and casting it into the grave, said in a voice broken, yet audible: "Mingle ashes with ashes, and dust with its original dust. To the earth whence it was taken, consign we the body of our sister." Each sister then threw in a handful of dust, and then with their mother entered their carriage, which immediately drove them home.

The eldest sister took a handful of dust and threw it into the grave. Her voice was broken but audible as she said, "Let ashes mingle with ashes, and dust with the dust it came from. We return our sister's body to the earth from which it was taken." Each sister then threw in a handful of dust. They joined their mother in their carriage, which immediately took them home.

A beautiful silver spade was sticking in the soft earth that had been taken from the grave. The most intimate of the dead girls friends took a spadeful of earth and threw it into the open grave. Her example was followed by each one of the remaining companions until the grave was filled. Then clasping hands, they chanted a farewell to their departed companion and playmate. After which they strewed the grave with flowers until it looked like a bed of beauty, and departed.

A beautiful silver spade stood in the soft earth taken from the grave. The dead girl's closest friend scooped up a spadeful of earth and threw it into the open grave. Each of her remaining companions followed her example until the grave was filled. Then they clasped hands and chanted a farewell to their departed companion and playmate. Afterward, they covered the grave with flowers until it looked like a beautiful flower bed, and then they left.

I was profoundly impressed by the scene. Its solemnity, its beauty, and the universal expression of sorrow it had called forth. A whole city mourned the premature death of gifted and lovely youth. Alas! In my own unhappy country such an event would have elicited but a passing phrase of regret from all except the immediate family of the victim; for there sorrow is a guest at every heart, and leaves little room for sympathy with strangers.

I was deeply moved by the scene. It was solemn and beautiful, and it had brought out sorrow in everyone. A whole city mourned the early death of a gifted and lovely young person. Alas! In my own unhappy country, such a death would have drawn only a passing word of regret from everyone but the victim’s immediate family. For there, sorrow lives in every heart, leaving little room for sympathy with strangers.

The next day the mother was at her post in the National College; the daughters were at their studies, all seemingly calm and thoughtful, but showing no outward signs of grief excepting to the close observer. The mother was performing her accustomed duties with seeming cheerfulness, but now and then her mind would drop for a moment in sorrowful abstraction to be recalled with resolute effort and be fastened once more upon the necessary duty of life.

The next day, the mother was at her post at the National College, and her daughters were studying. They all seemed calm and thoughtful. Only a close observer would have noticed any outward signs of grief. The mother carried out her usual duties with apparent cheerfulness. But now and then, she would drift into sorrowful thought. With a determined effort, she would bring her mind back to the necessary duties of life.

The sisters I often saw in those abstracted moods, and frequently saw them wiping away silent but unobtrusive tears. I asked Wauna for the meaning of such stoical reserve, and the explanation was as curious as were all the other things that I met with in Mizora.

I often saw the sisters lost in thought, and frequently saw them quietly wiping away tears. I asked Wauna why they kept their feelings so well hidden. Her explanation was as curious as everything else I encountered in Mizora.

"If you notice the custom of different grades of civilization in your own country," said Wauna, "you will observe that the lower the civilization the louder and more ostentatious is the mourning. True refinement is unobtrusive in everything, and while we do not desire to repress a natural and inevitable feeling of sorrow, we do desire to conceal and conquer it, for the reason that death is a law of nature that we cannot evade. And, although the death of a young person has not occurred in Mizora in the memory of any living before this, yet it is not without precedent. We are very prudent, but we cannot guard entirely against accident. It has cast a gloom over the whole city, yet we refrain from speaking of it, and strive to forget it because it cannot be helped."

"If you look at the customs of different levels of civilization in your own country," said Wauna, "you will see that the less civilized people are, the louder and more showy their mourning is. True refinement is never showy. We do not want to suppress the natural and inevitable feeling of sorrow. But we do want to conceal and overcome it, because death is a law of nature we cannot escape. Until now, no young person has died in Mizora within living memory, though it has happened before. We are very careful, but we cannot prevent every accident. This death has cast a gloom over the whole city. Yet we avoid speaking of it and try to forget it because it cannot be helped."

"And can you see so young, so fair a creature perish without wanting to meet her again?"

"And can you watch someone so young and beautiful die without wanting to see her again?"

"Whatever sorrow we feel," replied Wauna, solemnly, "we deeply realize how useless it is to repine. We place implicit faith in the revelations of Nature, and in no circumstances does she bid us expect a life beyond that of the body. That is a life of individual consciousness."

"Whatever sorrow we feel," Wauna replied solemnly, "we know that grieving is useless. We have complete faith in what Nature reveals. Nature never gives us reason to expect life beyond the body. That would be a life of individual consciousness."

"How much more consoling is the belief of my people," I replied, triumphantly. "Their belief in a future reunion would sustain them through the sorrow of parting in this. It has been claimed that some have lived pure lives solely in the hope of meeting some one whom they loved, and who had died in youth and innocence."

"How much more comforting is the belief of my people," I replied triumphantly. "Their belief in a future reunion would sustain them through the sorrow of parting in this life. Some have reportedly lived pure lives solely in the hope of reuniting with a loved one who died young and innocent."

Wauna smiled.

Wauna smiled.

"You do not all have then the same fate in anticipation for your future life?" she asked.

"Then you don't all expect the same fate in your future life?" she asked.

"Oh, no!" I answered. "The good and the wicked are divided."

"Oh, no!" I replied. "The good and the wicked are separated."

"Tell me some incident in your own land that you have witnessed, and which illustrates the religious belief of your country."

"Tell me about something you witnessed in your own country that shows its religious beliefs."

"The belief that we have in a future life has often furnished a theme for the poets of my own and other countries. And sometimes a quaint and pretty sentiment is introduced into poetry to express it."

"Our belief in life after death has often inspired poets in my country and others. Sometimes poetry expresses this belief with a quaint and lovely sentiment."

"I should like to hear some such poetry. Can you recite any?"

"I'd like to hear some poetry like that. Can you recite any?"

"I remember an incident that gave birth to a poem that was much admired at the time, although I can recall but the two last stanzas of it. A rowing party, of which I was a member, once went out upon a lake to view the sunset. After we had returned to shore, and night had fallen upon the water in impenetrable darkness, it was discovered that one of the young men who had rowed out in a boat by himself was not with us. A storm was approaching, and we all knew that his safety lay in getting ashore before it broke. We lighted a fire, but the blaze could not be seen far in such inky darkness. We hallooed, but received no answer, and finally ceased our efforts. Then one of the young ladies who possessed a very high and clear soprano voice, began singing at the very top of her power. It reached the wanderer in the darkness, and he rowed straight toward it. From that time on he became infatuated with the singer, declaring that her voice had come to him in his despair like an angel's straight from heaven.

"I remember an incident that inspired a poem much admired at the time, though I can remember only its last two stanzas. I was once part of a rowing party that went out on a lake to watch the sunset. We returned to shore, and night fell, leaving the water in complete darkness. Then we discovered that one of the young men was missing. He had rowed out in a boat by himself. A storm was approaching, and we all knew he had to reach shore before it broke. We lit a fire, but its blaze could not be seen far through the inky darkness. We shouted, but received no answer, and finally gave up. Then one of the young women, who had a very high, clear soprano voice, began singing as loudly as she could. The sound reached the young man in the darkness, and he rowed straight toward it. From then on, he became infatuated with the singer. He said that in his despair, her voice had come to him like an angel's, straight from heaven.

"She died in less than a year, and her last words to him were: 'Meet me in heaven.' He had always been recklessly inclined, but after that he became a model of rectitude and goodness. He wrote a poem that was dedicated to her memory. In it he described himself as a lone wanderer on a strange sea in the darkness of a gathering storm and no beacon to guide him, when suddenly he hears a voice singing which guides him safe to shore. He speaks of the beauty of the singer and how dear she became to him, but he still hears the song calling him across the ocean of death."

"She died in less than a year. Her last words to him were: 'Meet me in heaven.' He had always been reckless, but after her death he became a model of honesty and goodness. He wrote a poem in her memory. In it, he described himself as a lonely wanderer on a strange sea. A storm was gathering in the darkness, and there was no light to guide him. Then he suddenly heard a voice singing, and it guided him safely to shore. He described the singer's beauty and how dear she became to him. But he still hears her song calling him across the ocean of death."

"Repeat what you remember of it," urged Wauna.

"Tell me what you remember of it," urged Wauna.

"Poor child of superstition," said Wauna, sadly. "Your belief has something pretty in it, but for your own welfare, and that of your people, you must get rid of it as we have got rid of the offspring of Lust. Our children come to us as welcome guests through portals of the holiest and purest affection. That love which you speak of, I know nothing about. I would not know. It is a degradation which mars your young life and embitters the memories of age. We have advanced beyond it. There is a cruelty in life," she added, compassionately, "which we must accept with stoicism as the inevitable. Justice to your posterity demands of you the highest and noblest effort of which your intellect is capable."

"Poor child of superstition," Wauna said sadly. "There is something beautiful in your belief. But for your own welfare and that of your people, you must give it up, just as we have eliminated the offspring of lust. Our children come to us as welcome guests, through the holiest and purest affection. I know nothing of the love you speak of. I would not want to know it. It is a degradation that spoils your youth and makes your memories bitter in old age. We have moved beyond it. There is cruelty in life," she added compassionately, "that we must accept with calm endurance as inevitable. To be fair to future generations, you must make the highest and noblest effort your mind is capable of."